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Examining codes and conventions in information texts
Media codes and conventions are like the building blocks of all the media around us. Media codes generally have an agreed meaning, or connotation, to their audience. There are three types of media codes, symbolic codes, technical codes and written codes. Conventions are expected ways in which codes are organised in a product.
Different media texts have codes and conventions which can be used to analyse genre, define their genre and set up audience expectations.
Narrative
This is how the story is told in a film or television programme through plot devices, situations, characters and actors associated with specific genres.
The narrative in magazines and newspapers includes the cover design and all the content, including regular features, horoscopes, readers’ letters and advertising.
Websites also have a narrative that grows and builds as the user is navigated from page to page within the website.
On a news site, this could be a breaking news item which is linked through to more in-depth analysis and archive footage. On a magazine-style website, the narrative may build to encourage the user to watch related videos hosted by the same site.
Symbolic Codes
Symbolic codes are social in nature. What this means is that these codes live outside the media product themselves, but would be understood in similar ways in the ‘real life’ of the audience. For instance, if you saw somebody receive a red rose in a film, you would assume there is a romantic relationship between the two characters. If you gave somebody a red rose in real life, you might be hoping the same. Symbolic codes in media include setting, mise en scene, acting and colour.
Setting
Setting is the time and place of the narrative. When discussing setting, you can describe the setting of the whole story or just a specific scene. A setting can be as big as the outback or space, or as small as a specific room. Setting can even be a created atmosphere or frame of mind.
Mise en scene
Mise en scene is a French term that means ‘everything within the frame’. The mise-en-scène is everything included in a scene and how it is staged or arranged. This includes the setting, the props, the costumes, the lighting and the people or characters.
In media terms it has become to mean the description of all the objects within a frame of the media product and how they have been arranged. An analysis of mise en scene includes:
The mise-en-scène plays a big part in determining genre, whether in a hospital drama, a gardening programme or a horror movie. For example:
Acting
Actors portray characters in media products and contribute to character development, creating tension or advancing the narrative. The actor portrays a character through:
Colour
Colour has highly cultural and strong connotations. When studying the use of colour in a media product the different aspects to be looking at are:
Technical Codes
Technical codes are codes that are specific to a media form and do not live outside of them. For instance, our understanding of different camera shots and their connotations make sense when we look and films and photographs, but mean nothing to us outside of those forms. Technical codes in media include Camerawork, Editing, Audio and Lighting.
Camerawork
Camerawork refers to how the camera is operated, positioned and moved for specific effects. Aspects of camerawork include:
Editing
Editing is the process of choosing, manipulating and arranging images and sound. Editing is generally done for four different reasons:
Audio
Audio is the expressive or naturalistic use of sound. Audio can be diegetic or non diegetic. The three aspects of audio are:
Lighting
Lighting is the manipulation of natural or artificial light to selectively highlight specific elements of the scene. Elements of lighting include:
Written Codes
Written codes are the formal written language used in a media product. Just like technical and symbolic codes, written codes can be used to advance a narrative, communicate information about a character or issues and themes in the media product.
Written codes include printed language which is text you can see within the frame and how it is presented, and also spoken language, which includes dialogue and song lyrics.
Conventions
Conventions are accepted ways of using media codes. Conventions are closely connected to the audience expectations of a media product. Different types of conventions include form conventions, story conventions and genre conventions.
Form conventions
Form conventions are the certain ways we expect types of media’s codes to be arranged. For instance an audience expects to have a title of the film at the beginning, and then credits at the end. Newspapers will have a masthead, the most important news on the front page and sports news on the back page. Video games usually start with a tutorial to explain the mechanics of how the game works.
Another example would be continuity editing. Most video forms follow a set of editing rules and techniques called continuity editing which allows for the audience to easily understand what is going on in a scene and who is talking to who.
Story Conventions
Story conventions are common narrative structures and understandings that are common in story telling media products. Examples of story conventions include:
Genre Conventions
Genre conventions point to the common use of tropes, characters, settings or themes in a particular type of medium. Genre conventions are closely linked with audience expectations. Genre conventions can be formal or thematic.
PEDAGOGICAL APPROACHES and ACTIVITIES
List some technical and symbolic codes and conventions that are used in the following media and information texts: soap operas, tourism brochures, documentary films, family sitcoms, and political advertisements. What messages and information are conveyed through these codes?
Create a postcard for a place or organization of your choice. What key technical and symbolic codes would you use to convey important information and create the desired impression?
ASSESSMENT RECOMMENDATIONS
Analysis of codes and conventions in a variety of texts
Analysis of signs and symbols in the community
Analysis and assessment of the codes used in local or national postcards
Creation of the collage