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Definition of Prose
Prose is a communicative style that sounds natural and uses grammatical structure. Prose is the opposite of verse, or poetry, which employs a rhythmic structure that does not mimic ordinary speech. There is, however, some poetry called “prose poetry” that uses elements of prose while adding in poetic techniques such as heightened emotional content, high frequency of metaphors, and juxtaposition of contrasting images. Most forms of writing and speaking are done in prose, including short stories and novels, journalism, academic writing, and regular conversations.
The word “prose” comes from the Latin expression prosa oratio, which means straightforward or direct speech. Due to the definition of prose referring to straightforward communication, “prosaic” has come to mean dull and commonplace discourse. When used as a literary term, however, prose does not carry this connotation.
Common Examples of Prose
Everything that is not poetry is prose. Therefore, every utterance or written word that is not in the form of verse is an example of prose. Here are some different formats that prose comes in:
Significance of Prose in Literature
Much of the world’s literature is written in a prose style. However, this was not always the case. Ancient Greek dramas, religious texts, and old epic poetry were all usually written in verse. Verse is much more highly stylized than prose. In literature, prose became popular as a way to express more realistic dialogues and present narration in a more straightforward style. With very few exceptions, all novels and short stories are written in prose.
Examples of Prose in Literature
Example #1
(Don Quixote by Miguel de Cervantes)
Don Quixote is often considered the forerunner of the modern novel, and here we can see Cervantes’s prose style as being very direct with some sarcasm.
Example #2
(Wuthering Heights by Charlotte Brontë)
In this prose example from Charlotte Brontë we hear from the narrator, who is focused on the character of Catherine and her fate. The prose style mimics his obsession in its long, winding sentences.
Example #3
(My Antonia by Willa Cather)
In this excerpt from My Antonia, Willa Cather uses her prose to suggest the sound of Antonia’s English. She is a recent immigrant and as the book progresses her English improves, yet never loses the flavor of being a non-native speaker.
Example #4
(The Sun also Rises by Ernest Hemingway)
Ernest Hemingway wrote his prose in a very direct and straightforward manner. This excerpt from The Sun Also Rises demonstrates the directness in which he wrote–there is no subtlety to the narrator’s remark “Do not think I am very much impressed by that as a boxing title.”
Example #5
(To the Lighthouse by Virginia Woolf)
Virginia Woolf was noted for her stream-of-consciousness prose style. This excerpt from To the Lighthousedemonstrates her style of writing in the same way that thoughts occur to a normal person.
Example #6
(“Be Drunk” by Charles Baudelaire)
Unlike the previous examples, this is an example of a prose poem. Note that it is written in a fluid way that uses regular grammar and rhythm, yet has an inarguably poetic sense to it
Example of a Poetry Verse vs. the Prose Form
Following is a poetry verse from a popular work of Robert Frost:
(Stopping by Woods on a Snowy Evening, by Robert Frost)
Prose Form
Following is the same sentiment written in prose form:
The above paragraph is conveying a similar message, but it is conveyed in ordinary language, without a formal metrical structure to bind it.
Some Common Types of Prose
Examples of Prose in Literature
Prose in Novels
This is usually written in the form of a narrative, and may be entirely a figment of the author’s imagination.
Example #1: 1984 (By George Orwell)
Example #2: David Copperfield (By Charles Dickens)
Example #3: Anna Karenina (By Leo Tolstoy)
These examples of prose have been taken from novels, where the writers have employed their imaginations. They are examples of fictional prose.
Prose in Speeches
Prose used in speeches often expresses thoughts and ideas of the speaker.
Example #4: No Easy Walk to Freedom speech (By Nelson Mandela)
Example #5: Nobel Peace Prize Acceptance Speech (By Mother Teresa)
Example #6: Equal Rights for Women speech (By U.S. Congresswoman Shirley Chisholm)
These prose examples have been taken from speeches where the writing is often crisp and persuasive, and suits the occasion to convey a specific message.
Prose in Plays
Prose written in plays aims to be dramatic and eventful.
Example #7: Cat on a Hot Tin Roof (By Tennessee Williams)
Example #8: As You Like It (By William Shakespeare)
Prose in plays is often in conversational mode and is delivered by a character. However, its style stays the same throughout the play according to the personality of the character.
Function of Prose
While there have been many critical debates over the correct and valid construction of prose, the reason for its adoption can be attributed to its loosely-defined structure, which most writers feel comfortable using when expressing or conveying their ideas and thoughts. It is the standard style of writing used for most spoken dialogues, fictional as well as topical and factual writing, and discourses. It is also the common language used in newspapers, magazines, literature, encyclopedias, broadcasting, philosophy, law, history, the sciences, and many other forms of communication.
Allusion
Allusion is when an author makes an indirect reference to a figure, place, event, or idea originating from outside the text. Many allusions make reference to previous works of literature or art.
Example: “Stop acting so smart—it’s not like you’re Einstein or something.” This is an allusion to the famous real-life theoretical physicist Albert Einstein.
Anachronism
An anachronism occurs when there is an (intentional) error in the chronology or timeline of a text. This could be a character who appears in a different time period than when he actually lived, or a technology that appears before it was invented. Anachronisms are often used for comedic effect.
Example: A Renaissance king who says, “That’s dope, dude!” would be an anachronism, since this type of language is very modern and not actually from the Renaissance period.
Colloquialism
Colloquialism is the use of informal language and slang. It’s often used by authors to lend a sense of realism to their characters and dialogue. Forms of colloquialism include words, phrases, and contractions that aren’t real words (such as “gonna” and “ain’t”).
Example: “Hey, what’s up, man?” This piece of dialogue is an example of a colloquialism, since it uses common everyday words and phrases, namely “what’s up” and “man.”
Epigraph
An epigraph is when an author inserts a famous quotation, poem, song, or other short passage or text at the beginning of a larger text (e.g., a book, chapter, etc.). An epigraph is typically written by a different writer (with credit given) and used as a way to introduce overarching themes or messages in the work. Some pieces of literature, such as Herman Melville’s 1851 novel Moby-Dick, incorporate multiple epigraphs throughout.
Example: At the beginning of Ernest Hemingway’s book The Sun Also Rises is an epigraph that consists of a quotation from poet Gertrude Stein, which reads, “You are all a lost generation,” and a passage from the Bible.
Euphemism
A euphemism is when a more mild or indirect word or expression is used in place of another word or phrase that is considered harsh, blunt, vulgar, or unpleasant.
Example: “I’m so sorry, but he didn’t make it.” The phrase “didn’t make it” is a more polite and less blunt way of saying that someone has died.
Flashback
A flashback is an interruption in a narrative that depicts events that have already occurred, either before the present time or before the time at which the narration takes place. This device is often used to give the reader more background information and details about specific characters, events, plot points, and so on.
Example: Most of the novel Wuthering Heights by Emily Brontë is a flashback from the point of view of the housekeeper, Nelly Dean, as she engages in a conversation with a visitor named Lockwood. In this story, Nelly narrates Catherine Earnshaw’s and Heathcliff’s childhoods, the pair’s budding romance, and their tragic demise.
Foreshadowing
Foreshadowing is when an author indirectly hints at—through things such as dialogue, description, or characters’ actions—what’s to come later on in the story. This device is often used to introduce tension to a narrative.
Example: Say you’re reading a fictionalized account of Amelia Earhart. Before she embarks on her (what we know to be unfortunate) plane ride, a friend says to her, “Be safe. Wouldn’t want you getting lost—or worse.” This line would be an example of foreshadowing because it implies that something bad (“or worse”) will happen to Earhart.
Hyperbole
Hyperbole is an exaggerated statement that’s not meant to be taken literally by the reader. It is often used for comedic effect and/or emphasis.
Example: “I’m so hungry I could eat a horse.” The speaker will not literally eat an entire horse (and most likely couldn’t), but this hyperbole emphasizes how starved the speaker feels.
Imagery
Imagery is when an author describes a scene, thing, or idea so that it appeals to our senses (taste, smell, sight, touch, or hearing). This device is often used to help the reader clearly visualize parts of the story by creating a strong mental picture.
Example: Here’s an example of imagery taken from William Wordsworth’s famous poem “I Wandered Lonely as a Cloud”:
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Irony
Irony is when a statement is used to express an opposite meaning than the one literally expressed by it. There are three types of irony in literature:
Examples:
Juxtaposition
Juxtaposition is the comparing and contrasting of two or more different (usually opposite) ideas, characters, objects, etc. This literary device is often used to help create a clearer picture of the characteristics of one object or idea by comparing it with those of another.
Example: One of the most famous literary examples of juxtaposition is the opening passage from Charles Dickens’ novel A Tale of Two Cities:
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair …”
Malapropism
Malapropism happens when an incorrect word is used in place of a word that has a similar sound. This misuse of the word typically results in a statement that is both nonsensical and humorous; as a result, this device is commonly used in comedic writing.
Example: “I just can’t wait to dance the flamingo!” Here, a character has accidentally called the flamenco (a type of dance) the flamingo (an animal).
Metaphor/Simile
Metaphors are when ideas, actions, or objects are described in non-literal terms. In short, it’s when an author compares one thing to another. The two things being described usually share something in common but are unalike in all other respects.
A simile is a type of metaphor in which an object, idea, character, action, etc., is compared to another thing using the words “as” or “like.”
Both metaphors and similes are often used in writing for clarity or emphasis.
Examples:
“What light through yonder window breaks? It is the east, and Juliet is the sun.” In this line from Romeo and Juliet, Romeo compares Juliet to the sun. However, because Romeo doesn’t use the words “as” or “like,” it is not a simile—just a metaphor.
“She is as vicious as a lion.” Since this statement uses the word “as” to make a comparison between “she” and “a lion,” it is a simile.
Metonym
A metonym is when a related word or phrase is substituted for the actual thing to which it’s referring. This device is usually used for poetic or rhetorical effect.
Example: “The pen is mightier than the sword.” This statement, which was coined by Edward Bulwer-Lytton in 1839, contains two examples of metonymy: “the pen” refers to “the written word,” and “the sword” refers to “military force/violence.”
Onomatopoeia
Onomatopoeia is a word (or group of words) that represents a sound and actually resembles or imitates the sound it stands for. It is often used for dramatic, realistic, or poetic effect.
Examples: Buzz, boom, chirp, creak, sizzle, zoom, etc.
Oxymoron
An oxymoron is a combination of two words that, together, express a contradictory meaning. This device is often used for emphasis, for humor, to create tension, or to illustrate a paradox (see next entry for more information on paradoxes).
Examples: Deafening silence, organized chaos, cruelly kind, insanely logical, etc.
Paradox
A paradox is a statement that appears illogical or self-contradictory but, upon investigation, might actually be true or plausible.
Note that a paradox is different from an oxymoron: a paradox is an entire phrase or sentence,whereas an oxymoron is a combination of just two words.
Example: Here’s a famous paradoxical sentence: “This statement is false.” If the statement is true, then it isn’t actually false (as it suggests). But if it’s false, then the statement is true! Thus, this statement is a paradox because it is both true and false at the same time.
Personification
Personification is when a nonhuman figure or other abstract concept or element is given human-like qualities or characteristics. It is used to help the reader create a clearer mental picture of the scene or object being described.
Example: “The wind moaned, beckoning me to come outside.” In this example, the wind—a nonhuman element—is being described as if it is human (it “moans” and “beckons”).
Repetition
Repetition is when a word or phrase is written multiple times, usually for the purpose of emphasis. It is often used in poetry (for purposes of rhythm as well).
Example: When Lin-Manuel Miranda, who wrote the score for the hit musical Hamilton, gave his speech at the 2016 Tony’s, he recited a poem he’d written that included the following line:
And love is love is love is love is love is love is love is love cannot be killed or swept aside.
Soliloquy
A type of monologue that’s often used in dramas, a soliloquy is when a character speaks aloud to himself (and to the audience), thereby revealing his inner thoughts and feelings.
Example: In Romeo and Juliet, Juliet’s speech on the balcony that begins with, “O Romeo, Romeo! Wherefore art thou Romeo?” is a soliloquy, as she is speaking aloud to herself(remember that she doesn’t realize Romeo’s there listening!).
Symbolism
Symbolism refers to the use of an object, figure, event, situation, or other idea in a written work to represent something else—typically a broader message or deeper meaning that differs from its literal meaning.
The things used for symbolism are called “symbols,” and they’ll often appear multiple times throughout a text, sometimes changing in meaning as the plot progresses.
Example: In F. Scott Fitzgerald’s 1925 novel The Great Gatsby, the green light that sits across from Gatsby’s mansion symbolizes Gatsby’s hopes and dreams.
Synecdoche
A synecdoche is a literary device in which part of something is used to represent the whole, or vice versa. It’s similar to a metonym (see above); however, a metonym doesn’t have to represent the whole—just something associated with the word used.
Example: “Help me out, I need some hands!” In this case, “hands” is being used to refer to people (the whole human, essentially).